Winifred Sandys, "White Mayde of Avenel" (after 1902), watercolor on vellum, 8 × 6 inches. Delaware Art Museum, Samuel and Mary R. Bancroft Memorial, 1935 (all images courtesy Delaware Art Museum) ...
Henry Wallis, “Chatterton” (c. 1855–56), oil on canvas, 62.2 x 93.3 cm (24 1/2 x 36 3/4 in), Tate Gallery, London (all images courtesy the National Gallery of Art) In its first iteration in London, ...
The Tate's last exhibition of pre-Raphaelite art, held in a now distant 1984, was a rather dully chronological affair. According to one critic, the treatment "seemed to symbolise a newly conservative ...
WASHINGTON —Just in time for the spring influx of school trips and Easter vacations, the National Gallery of Art in Washington, D.C., is hosting two exhibits about the Pre-Raphaelites painters of 19th ...
Why have there been no great women Pre-Raphaelites? Well, it turns out there were quite a few. The first exhibition to focus on the women behind the movement that took Victorian Britain by storm ...
The "generosity of spending" in Liverpool "really made Pre-Raphaelitism viable", curator Christopher Newall claims Since its revival in the 1980s, Pre-Raphaelite art has found a cherished place in the ...
Graves Art Gallery displayed an exhibition of rare and delicate Pre-Raphaelite drawings. :: Pre-Raphaelite Drawings ran at Graves Art Gallery until 8th September, 2007 Pre-Raphaelite Drawings at the ...
Tate Britain's new Pre-Raphaelites exhibition is a steam-punk triumph, a raw and rollicking resurrection of the attitudes, ideas and passions of our engineering, imperialist, industrialist, capitalist ...
EXCLUSIVE: BUFF Studios and Tunji Entertainment are developing a historical drama based on the life of Fanny Eaton, a ...
Kitsch, old-hat and irrelevant? The Tate’s new blockbuster show sets out to prove that the Pre-Raphaelites’ hyper-real fantasies are anything but. Mark Hudson welcomes this timely reappraisal. Lady ...
Since its revival in the 1980s, Pre-Raphaelite art has found a cherished place in the hearts of the gallery-going public, one as strong as its original Victorian audience, but had it not been for ...